{"id":8163,"date":"2025-09-15T15:23:48","date_gmt":"2025-09-15T11:23:48","guid":{"rendered":"https:\/\/henryelibekyan.am\/2025\/09\/15\/%d5%a1%d6%80%d5%a4%d5%b8%d6%82%d5%af%d5%b8%d6%82%d5%b4-%d5%a7%d5%ac%d5%ab%d5%a2%d5%a5%d5%af%d5%b5%d5%a1%d5%b6%d5%ab-%d5%b8%d5%b3%d5%b8%d5%be-%d5%af%d5%a1%d5%b4%d5%9d-%d5%bd%d5%ab\/"},"modified":"2026-01-16T11:09:34","modified_gmt":"2026-01-16T07:09:34","slug":"%d5%a1%d6%80%d5%a4%d5%b8%d6%82%d5%af%d5%b8%d6%82%d5%b4-%d5%a7%d5%ac%d5%ab%d5%a2%d5%a5%d5%af%d5%b5%d5%a1%d5%b6%d5%ab-%d5%b8%d5%b3%d5%b8%d5%be-%d5%af%d5%a1%d5%b4%d5%9d-%d5%bd%d5%ab","status":"publish","type":"post","link":"https:\/\/henryelibekyan.am\/en\/2025\/09\/15\/%d5%a1%d6%80%d5%a4%d5%b8%d6%82%d5%af%d5%b8%d6%82%d5%b4-%d5%a7%d5%ac%d5%ab%d5%a2%d5%a5%d5%af%d5%b5%d5%a1%d5%b6%d5%ab-%d5%b8%d5%b3%d5%b8%d5%be-%d5%af%d5%a1%d5%b4%d5%9d-%d5%bd%d5%ab\/","title":{"rendered":"ACTING IN THE ELIBEKEYAN STYLE, OR \u201cLOVING HUMANITY\u201d"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Lilit Sargsyan<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recently, our compatriot, the renowned artist and vivid personality, Armenian Sixties avant-gardist Henry Elibekyan made a \u201cpilgrimage\u201d from Moscow to Yerevan. He was full of determination, armed with inexhaustible creative, physical, and spiritual energy, in order to realize yet another project. Elibekyan not only presented his statement (action), but also\u2014despite the dull mood of Yerevan and the bad weather\u2014managed to organize a gathering imbued with the spirit of \u201cbetter days.\u201d The warm atmosphere also carried a \u201cprogrammatic\u201d meaning: the artist\u2019s project was dedicated to Love and Humanism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An essential feature of the concept was the transformation of his personal studio-laboratory into a gallery, an exhibition space, and a stage situated on the same level as the audience. This project was a search for an exit, the artist\u2019s distinctive response to social and cultural stagnation. After all, the Artist needs air just as much as external life-giving impulses\u2014communication, constant renewal\u2014as well as the means to realize ideas. The studio acquired a ritual-symbolic meaning, becoming a realm of communication and spirituality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As follows from the exhibition announcement, \u201cthe project consisted of four object-installations.\u201d The first object was \u201cIroning,\u201d the second \u201cCaressing a Human Being\u201d (four parts: a video sequence, a photo sequence, the \u201cTriple Bunk Bed\u201d installation, and vocals), the third object \u201cFormulas on Cuffs\u201d (two parts: the installation \u201cEinstein and His Shirts\u201d and a statement), and the fourth object the statement \u201cLoving Humanity.\u201d This, perhaps, is the project\u2019s \u201crecord.\u201d Yet to describe Elibekyan\u2019s works or merely list their titles is tantamount to saying nothing at all. Everything visible here is symbolism and allegory\u2014often born paradoxically in the artist\u2019s imagination and demanding interpretation, which the author undertook with considerable thoroughness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Visitors to Elibekyan\u2019s exhibition immediately notice, in a recessed niche, something comfortably and neatly arranged, carefully covered with polyethylene film. Here is the iron\u2014the main core-symbol of the concept. It turns out to be an unrecognizable table of an iron wrapped in worn linen and rags. Upon it emerges a female half-face cut from an icon-like poster, from which fleeting erotic symbols can also be discerned\u2026 Barely perceptible stylistic associations mentally transport us to the turn of the century, to the \u201cmodern\u201d style, expressed through the pink curls of the poster imagery, enveloping whiteness, translucency, delicacy, and mystery\u2014although logically one might expect a less spiritualized and more ornate pop art. Its presence is felt more strongly in other installations, for example, in the \u201ccarousel\u201d of rotating shirts, in heaps of staircases covered with photographs, or in another installation where the symbol of the iron is again played out: here is a kind of overturned \u201cbedroom,\u201d with linens pulled from drawers and scattered across the floor. If you look closely, you will see that these are rag scarecrows of human figures, with legs made of transparent bottles and painted faces expressing suffering. They seem either to be falling from the drawers or hanging from them. These rag effigies create a striking impression of real suffering and pain. The unexpected method of their construction is undoubtedly symbolic as well: people are made from trash\u2014literally from nothing, from useless rags. Even the emptiness of the bottle-legs hanging helplessly from the drawers is filled with refuse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Live mannequin-characters are constant companions in Elibekyan\u2019s work. The motivation for their use lies not only in the search for modernist means of expression and new dimensions of art, but also in the relationship between art and reality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Like embryos in a womb, two living characters dressed in white crouched inside crates, their faces bandaged. During the performance, they literally ironed one another with an iron that, in this case, functioned as a sadistic instrument.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thus, the action unfolds around the multi-layered allegory of the iron. In the wordplay \u201cironing \u2013 caressing,\u201d the meaning of \u201cto iron\u201d shifts to that of \u201cto caress.\u201d The semantic and visual sequence\u2014literally coinciding with notions of the \u201csoiled,\u201d the \u201cabsurd,\u201d the \u201cempty,\u201d the \u201ctorn,\u201d the \u201cshredded,\u201d the \u201cburned\u201d\u2014gives rise to associative sensations that are realized only later. The allegory is revealed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Undoubtedly, the innovation of avant-garde art lies not only in linguistic transformations\u2014which have brought about a radical turn in the traditional structure of art\u2014but also in its mission to express the extremes of its time. This is what makes it possible to consider the two projects united by Elibekyan as one. We are speaking of the component of this statement dedicated to great physicists. The author deliberately singles out A. Alikhanian, whom he knew personally and who supported the arts. Science, derived from the laws of nature and serving humanity\u2019s well-being, in its development also leads to ecological crises and gives birth to deadly weapons. The abuse of nature and scientific achievements, technologization, alienates people from one another and from nature. Elibekyan\u2019s concept addresses the extreme manifestations of human existence. His vision-images symbolizing humanity are invariably dramatic, fragmented, distorted, absurd. Yet from another perspective, Elibekyan is able to present any idea, any concept in an impressive, unexpected, and unique way\u2014freely combining diverse objects within new contexts. He never forgets the aesthetic quality of a work, even when the \u201caesthetic\u201d bears a negative sign. Much has been said and written about his artistic talent. Here, \u201cEinstein\u2019s illustrated shirts\u201d hang on a rotating device; invited physicists decorate the author\u2019s and the models\u2019 gowns with formulas. And at that very moment, a new concept is born: to use formulas as new symbolic visual means that have already lost their original meaning, yet are not devoid of a certain aesthetic content.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although Elibekyan\u2019s art is directly connected to the modernist system of form creation, as the artist himself defines it, his \u201cart carries classical content,\u201d which restrains him from futurist radical aspirations toward constructing the future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lilit Sargsyan Recently, our compatriot, the renowned artist and vivid personality, Armenian Sixties avant-gardist Henry Elibekyan made a \u201cpilgrimage\u201d from Moscow to Yerevan. He was full of determination, armed with inexhaustible creative, physical, and spiritual energy, in order to realize yet another project. Elibekyan not only presented his statement (action), but also\u2014despite the dull mood [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67],"tags":[],"class_list":["post-8163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ACTING IN THE ELIBEKEYAN STYLE, OR \u201cLOVING HUMANITY\u201d - Henry Elibekyan<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/henryelibekyan.am\/en\/2025\/09\/15\/%d5%a1%d6%80%d5%a4%d5%b8%d6%82%d5%af%d5%b8%d6%82%d5%b4-%d5%a7%d5%ac%d5%ab%d5%a2%d5%a5%d5%af%d5%b5%d5%a1%d5%b6%d5%ab-%d5%b8%d5%b3%d5%b8%d5%be-%d5%af%d5%a1%d5%b4%d5%9d-%d5%bd%d5%ab\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ACTING IN THE ELIBEKEYAN STYLE, OR \u201cLOVING HUMANITY\u201d - Henry Elibekyan\" \/>\n<meta property=\"og:description\" content=\"Lilit Sargsyan Recently, our compatriot, the renowned artist and vivid personality, Armenian Sixties avant-gardist Henry Elibekyan made a \u201cpilgrimage\u201d from Moscow to Yerevan. 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